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Alan Pope
Aged 16, I was alone, centre stage, dressed in full Native American
chief's costume with warpaint, lit by a shaft of lime-light from the
top of London's Royal Albert Hall. The Hall was packed with friends
and families of the several hundred Boy Scouts who were performing
a pageant play, and as the sound of the tom-toms started in the darkness
and the light widened to reveal dozens of boys dressed as Indians,
I knew I was hooked on Showbiz!
In 1954 I was asked to complete the cast of R.C. Sherriff's famous
anti-war play "Journey's End", directed by a very young
Peter Watkins, who later upset the government of the day and the BBC
by making the anti-nuclear war film "The War Game". The
company was called Playcraft and operated in the through-lounge of
a private house in suburban Canterbury. Chairs were borrowed from
neighbours and we played for five nights to an audience of thirty-five,
seated in the back half of the room. The other half became the stage,
with sound and lights being controlled from the cupboard under the
stairs. At such short range we learned that sincere realism was the
only style for successful acting.
When three members of the company turned professional, we disbanded.
My future wife and I revived it four years later. We used the Dominican
Priory in St Peter's Lane, Canterbury for several years and then transferred
to the Gulbenkian Theatre on the campus of The University of Kent.
I argued that the better the script, the better the chance of good
acting and production. So we performed "Hamlet", "Macbeth",
"Much Ado About Nothing", "Twelfth Night", and
"Measure for Measure", Jonson's "Volpone" and
"The Alchemist", plays by Pinter, Chekhov, Shaw, Sheridan,
Ibsen, Becket, Albee, Arthur Miller and many more European and American
dramatists.
I tried the professional theatre for a short time but decided that
being my own boss as an amateur was more rewarding.
With Ashcan I have directed "Someone To Watch Over Me",
"Death and The Maiden", "The Last Yankee", and
"Art", as well as acting in "Waiting for Godot",
and "Duck Variations".
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Aged 16, I was alone, centre stage, dressed in full Native American
chief's costume with warpaint, lit by a shaft of lime-light from the top
of London's Royal Albert Hall. The Hall was packed with friends and families
of the several hundred Boy Scouts who were performing a pageant play,
and as the sound of the tom-toms started in the darkness and the light
widened to reveal dozens of boys dressed as Indians, I knew I was hooked
on Showbiz!
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| In 1954 I was asked to complete the cast of R.C. Sherriff's
famous anti-war play "Journey's End", directed by a very young
Peter Watkins, who later upset the government of the day and the BBC by
making the anti-nuclear war film "The War Game". The company
was called Playcraft and operated in the through-lounge of a private house
in suburban Canterbury. Chairs were borrowed from neighbours and we played
for five nights to an audience of thirty-five, seated in the back half
of the room. The other half became the stage, with sound and lights being
controlled from the cupboard under the stairs. At such short range we
learned that sincere realism was the only style for successful acting.
When three members of the company turned professional, we disbanded. My
future wife and I revived it four years later. We used the Dominican Priory
in St Peter's Lane, Canterbury for several years and then transferred
to the Gulbenkian Theatre on the campus of The University of Kent.
I argued that the better the script, the better the chance of good acting
and production. So we performed "Hamlet", "Macbeth",
"Much Ado About Nothing", "Twelfth Night", and "Measure
for Measure", Jonson's "Volpone" and "The Alchemist",
plays by Pinter, Chekhov, Shaw, Sheridan, Ibsen, Becket, Albee, Arthur
Miller and many more European and American dramatists.
I tried the professional theatre for a short time but decided that being
my own boss as an amateur was more rewarding.
With Ashcan I have directed "Someone To Watch Over Me", "Death
and The Maiden", "The Last Yankee", and "Art",
as well as acting in "Waiting for Godot", and "Duck Variations".
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